Her background as classic and contemporary dancer and musician gave her a singular point of view on directing. A culture of sensations that places movement, body, and rythm as a key component of the captivating visual stories told through her film work.
Her spots offer a tactile level of engagement rarely seen in this space, both physical, sensorial and cinematic, to which she likes to add a surreal edge with the use of VFX. For Audrey, the camera is like a dancer. An agile companion used to build tension, one that dances along with the subject and provides the sensual and intense energy she craves in her work.
Audrey has been developing most of her film from A to Z, as a multi-disciplinary talent, as director, writer, art director, movement director.